Crossing the border into Ecuador is not hard, but getting from Pasto to Otavalo requires an entire day and what seems like fifteen different forms of transportation. A cab to the bus terminal, a bus to the border, a taxi across the border, another taxi to the bus station at Tulcán (the Ecuadorian side of Pasto) and a bus to Otavalo. On every form of transportation vendors try to sell me candy and chips and soda. The taxis are all shared, meaning that I must wait for other people who are going to the same destination as me to show up and wait too until all the seats are filled. (If I’d wanted to buy all the seats, I could have bypassed this option, but I’m trying to stick to my student budget)
The sun sets during the bus trip to Otavalo. Idly I watch the small towns pass through the smudged windows, and suddenly it occurs to me that our final destination is Quito, which is a long way past Otavalo. Hoping we haven’t passed it, I make my way down the aisle and ask the driver if he can let me off in downtown Otavalo. “Where are you going?” he asks.
“The Rose Cottage,” I told him.
“I’ll let you off right in front of it,” he says.
About half an hour later we enter a particularly desolate and foggy patch of highway that looks to be in the middle of nowhere, and the bus slows to a stop. I am wondering which fool it is that has to find their way from here when the driver gestures to me. “Rose Cottage.”
“What?” I ask. This can’t be it.
“This is the taxi stand,” he tells me. “You have to wait here and catch a cab to Rose Cottage.”
I don’t know what to do. Do I get out and wait for a cab? I don’t even see a cab. “Are you sure?”
The driver assures me that this is it and I get out, jogging across the street and dragging my overstuffed duffel bag behind me. I take my pepper spray out of my purse and tuck it into the palm of my hand, just in case. A cab pulls up. Whew.
“Where to?”
“Rose Cottage.”
“OK.”
We turn off onto a small dirt road, winding up a hill, and we are further from civilization than we were at the highway. My driver stops in front of a set of nearly vertical concrete steps leading up into blackness. “Here it is, just up there.”
“This doesn’t look like anything,” I said.
“Go up the steps,” he tells me. I hand him a silver dollar and get out and he drives back down the hill.
The night is cool and misty. A single streetlamp illuminates the bottom of the steps. I can hear its electrical humming. Shouldering my backpack, I climb past the patch of light and see just enough of the top of the hill to know that I am not where I am supposed to be. The only thing up there is a crumbling, boarded-up building and an ancient playground with a swing set and slide. Beyond that the hills extend into the blackness and I don’t know if there are other houses there or not. When I reach the top of the stairs, the humming stops and the streetlight goes out. It is pitch black and silent. The only sound is my own breath and the crunch of my feet on the ground. I pull out my iPod, holding it as low as I can so I can see where I’m walking, but there isn’t anywhere to walk to. My chest tightens and I try not to panic. Maybe I can sit on those steps for the night. Perhaps the playground means that this is a school.
I put down my backpack and sit on the steps. Shit. This is bad, and there’s not a thing I can do about it. I lean back for a couple of minutes, telling myself that the night is going to pass no matter where I am, and I can sort it out in the morning.
All of a sudden I see a building illuminate further up the hill--every light coming on at once. I jog down the steps and up towards it, feeling my way through the dark, and I hear footsteps.
“Hello?” I say, softly.
I hear a female voice. “Who are you?”
“Is this the Rose Cottage?” I ask.
“You scared the crap out of me!” I hear her say. “The electricity went out a few minutes ago, and I’ve been fiddling with this damn fusebox trying to get it to come on again.”
I am so excited to find it, and not be alone in the dark anymore. We go inside the lodge, which is cozy and warm. A stir-fry sizzles on the stove and a couple of other travelers sit around a long table in front of a game of Jenga. I recognize two of them from the Casa Blanca and I can’t believe that just a few minutes ago I was wandering alone through the fog in a deserted playground. And that is how I get to Ecuador and the Rose Cottage, which, in the daylight, is lovely.
Otavalo is famous for its Saturday market. Early in the morning there is the animal market and the rest of the day you can buy anything from clothes and picture frames to snails and chicken feet and elixirs to clean out your kidneys.
In Buenos Aires, you don’t really bargain. In Ecuador, it’s an art. The rule is that the vendor will quote you a price. You offer half, they refuse and you both settle on somewhere around three-quarters of the price. The process is always the same, so it feels strange to act as if the words are just occuring to me for the first time. Say I’m looking at a pair of knitted alpaca socks.
“How much is this?”
“Four dollars. Cheap!”
“Oh, okay. They’re very nice but a little expensive. I think I’ll look around.”
“How much will you give me?”
“Hmmmm.” I turn the socks over in my hands. “Two.”
“Two? No. Those are handmade. Three-fifty.” (They aren’t handmade. I see the same ones in every stall.)
“Three.”
“Three-fifty.”
“No, thanks anyway. I’ll just go see what they have over there at that stall.”
“Wait, wait! Three’s good.”
She wraps the socks in newspaper for me and I add the bundle to the bunch of things I will mail to my family tomorrow.
Ecuador is quite a bit cheaper than Colombia. The set menu (almuerzo) at a regular restaurant where locals are eating costs around $1.75. For this you get soup, rice and meat, and a fresh juice. Lots of people tell me of getting sick of rice and chicken, but I’m liking it so far.